{"title":"Drone","description":"","products":[{"product_id":"sunn-o-flight-of-the-behemoth-reissue","title":"Sunn O))) - Flight of the Behemoth (2xLP)","description":"\u003cp\u003e\u003cstrong\u003eFlight of the Behemoth\u003c\/strong\u003e is the third album by \u003cstrong\u003esunn O)))\u003c\/strong\u003e. The band collaborated with legendary Japanese noise artist \u003cstrong\u003eMerzbow\u003c\/strong\u003e, who mixed tracks 3 and 4. The first ever use of a drum machine on a \u003cstrong\u003esunn O)))\u003c\/strong\u003e track is heard on “F.W.T.B.T.”, a deconstructive interpretation of Metallica’s “For Whom the Bell Tolls”. This punisher also features the first ever vocals heard as evoked from the band themselves. Previously only available on vinyl in very small quantities this deluxe version marks the first time the album has been released on vinyl through \u003cstrong\u003eSouthern Lord Recordings\u003c\/strong\u003e. Contains full color 24”x36” folded poster and all this grimness is housed in a glorious case-wrapped gatefold jacket. Also contains the vinyl only bonus track: “Grimm \u0026amp; Bear It”. Vinyl\/metal cut by Matt Colton (Alchemy Mastering) who also cut the vinyl for the bands 2019 releases: “Life Metal” \u0026amp; “Pyroclasts.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Southern Lord Records","offers":[{"title":"Default Title","offer_id":32218875461698,"sku":"sunn 15 2xlp","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/sunn.jpg?v=1592874108"},{"product_id":"basinski-william-and-laurence-english-selva-oscura","title":"William Basinski and Lawrence English - Selva Oscura","description":"\u003cp\u003e\u003cspan\u003eFor over half a decade, William Basinski and Lawrence English have been in regular contact with one another. 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As one sound fades away, another is revealed in its place, creating a sense of an eternal reveal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSelva Oscura was recorded in Brisbane and Los Angeles simultaneously. The compositions were each created through a process of iteration and rearrangement that inverted the micro and macro characteristics of the raw sonic materials. 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Raw, emotional, political and deliberate, this is ambient music with deep intention\u003c\/span\u003e\u003c\/p\u003e","brand":"None","offers":[{"title":"Default Title","offer_id":32227867557954,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a0621828397_16.jpg?v=1594334304"},{"product_id":"earth-earth-2","title":"Earth - Earth 2","description":"\u003cp\u003e\u003cspan\u003eEarth’s drone-heavy experimentation is largely the result of its one lasting member, guitarist Dylan Carlson. The band was originally formed in 1990 in Olympia, Washington by Carlson, Slim Moon (who later founded the Kill Rock Stars label), and Greg Babior. Moon and Babior left soon after and were replaced by Joe Preston. Earth played a few live shows and then recorded some material with Mike Lastra. 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With Hausu Mountain’s reissue of Metalepsis, appearing on vinyl for the first time with updated artwork, we travel back five years to a period of her work where you would more likely find Drewchin’s three-octave voice swooping through gorgeous cascading melodies as she fingerpicks through ornate chord progressions on her acoustic guitar, rather than pouring out lacerating noise texture and technoid beat structures from a pair of CDJs. The idea that these two (of many) sides of her project are at odds with each other, however, is a total fallacy, as Eartheater’s holistic practice remains in a state of constant recombination and willful juxtaposition. Her recent sets have come to balance her heavier post-club material with a reincorporation of long passages of stripped down voice-and-guitar performance. With this in mind, a reconsideration of Metalepsis could not come at a better time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracks like the majestic “Homonyms” and the stripped-down finale “Infinity” float the closest to legible structures in keeping with folk artists like Vashti Bunyan or Linda Perhacs. Drewchin’s songs latch into temporary cycles for a few stanzas before jetting off into one-off flights of harmony that stand behind her soaring vocal lines. On “Homonyms,” she winds her way through a labyrinth of tumbling melodic figures that range from tongue-twisting, almost rapped mid-range cadences to bursts of color in the highest of falsettos. Drewchin tries on hard-effected belting closer to 90s alternative rock (“Youniverse”), layered wordless coos and chirping vocalizations (“Macro EV”), and pensive spoken-word whispers (“The Internet is Handmade”). Her lyrics toy with themes of humanity’s increasing integration with technology, with our tiny role and self-perception in a vast universe, and with the boundaries between the imagined dreamworld and the (u)(dys)topia expanding before us. For all of her mastery of voice and traditional instrumentation, Eartheater’s omnivorous, collage-like approach to production pushes Metalepsis beyond the limits of singer-songwriting and out into the deep end of modern electronic experimentation. Shorter sketches like “View Point Strata” and “Youniverse” stand as miniature flights through contrasting sound sources and broken anti-structures. The chirps of Drewchin’s pet birds join with peals of atonal violin, while a jovial verse by an anonymous Russian rapper arises out of a sea of garbled, heavily processed vocal fragments. Even the tracks that skirt closer to more conventional forms play host to detailed electronic backdrops of percolating percussion patterns, sliced and looped synth formants, and swathes of pure synth texture. \u003c\/span\u003e\u003c\/p\u003e","brand":"redeye","offers":[{"title":"Default Title","offer_id":32227870933058,"sku":"LP-HAUSMO-25","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/LP-HAUSMO-25.jpg?v=1608232554"},{"product_id":"godspeed-you-black-emperor-luciferian-towers","title":"Godspeed You! 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BOSSES HANG – labor, alienated from the wealth it creates, so that holy cow, most of us live precariously! kicking at it, but barely hanging on! also – the proud illuminations of our shortened lives! also – more of us than them! also – what we need now is shovels, wells, and barricades!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e3. FAM \/ FAMINE – how they kill us = absentee landlord, burning high-rise. the loud panics of child-policemen and their exploding trigger-hands. with the dull edge of an arbitrary meritocracy. neglect, cancer maps, drone strike, famine. the forest is burning and soon\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethey’ll hunt us like wolves.\u003cbr\u003e\u003cbr\u003e4. 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Even more ghostly, atmospheric, and haunting than its predecessor, 2014’s “Sabbracadaver”, “Never Forever” sees MONARCH! take even more form and shape with their songwriting while still harnessing that plodding, down-tuned, and crushing low-end that has become their signature rhythmic backdrop to vocalist Emilie Bresson’s enchanting and spellbinding vocals. 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Spanning seven inhumanly crushing songs, for over forty-five minutes of colossal and earth-shaking audial torture—Hell's new album is already a classic, and a tyrannically iconic masterpiece that shall forever be remembered as one of the most awe-inducing turning points in extreme doom, having raised the bar of what \"heavy\" is to implausible heights, and redefined the concept of musical oppression through a new realm of extremism.\u003c\/span\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32361077669954,"sku":"SRUIN 053","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/5adf9d61ca605_main.jpg?v=1596645061"},{"product_id":"the-kilimanjaro-darkjazz-ensemble-i-forsee-the-dark-ahead-if-i-stay","title":"The Kilimanjaro Darkjazz Ensemble - I Forsee the Dark Ahead, If I Stay","description":"\u003cspan\u003eThe Kilimanjaro Darkjazz Ensemble’s liveshows were known for their transcendental journeys, mixing live improvisation with the structure form studio album songs. TKDE always worked with a complex live set up, linking multiple laptops, channeling, effects and looping systems to recreate the intricate sound of their music. During the period from 2007 till 2011 many live performances were recorded, and decided was to release a compilation of songs as a live album in 2012.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The album presents a series of tracks recorded from shows over the last five years, doubling as essentially a \"best of\" and insight into the live TKDE experience. (...) And it is exactly this weaving of disparate threads, often in an unexpected and chaotic fashion, that make TKDE so fascinating.\" (4.5 \/ 5 Resident Advisor)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A consistently impressive collection that manages to vividly document TKDE’s spectacular live show\" (Cyclic Defrost)\u003c\/span\u003e","brand":"redeye","offers":[{"title":"Default Title","offer_id":32420435689538,"sku":"","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/R-3288675-1595883410-5860_jpeg.jpg?v=1598895377"},{"product_id":"the-mount-fuji-doomjazz-corporation-succubus","title":"The Mount Fuji Doomjazz Corporation - Succubus","description":"\u003cp\u003e\u003cspan\u003eSeductive but perilous, The Kilimanjaro Darkjazz Ensemble's session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation. After the corpses, the succubus. Faithful to the original The Kilimanjaro Darkjazz Ensemble concept of drawing inspiration from movies, they recording what later became “Succubus” while watching Jess Franco's film of the same name. This iconic 1969 movie, with its strong erotic mood, fragmented story line and oneiric photography encompasses perfectly the goal and means of TKDE \/ TMFJDC, in the way the band builds mesmerizing, deep and otherworldly atmospheres.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVinyl is on Clear\u003c\/span\u003e\u003c\/p\u003e","brand":"redeye","offers":[{"title":"Default Title","offer_id":32420437721154,"sku":"","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a4002587662_10.jpg?v=1598895496"},{"product_id":"boris-akuma-no-uta","title":"Boris - Akuma No Uta","description":"\u003cspan data-mce-fragment=\"1\"\u003eReissue of Boris' 2003 Akum No Uta album—recognized as one of the top 200 releases from the 2000s by Pitchfork and one of Boris’ most commercially successful releases of their full-length discography. Akuma No Uta is a journey through wild drop tunings and fuzz. The introduction to the album slowly builds into noise, settling like the aftermath of an avalanche as it comes to a close. Although mixing many different genres, from drone metal to shoegaze to punk, Akuma No Uta maintains a strong cohesive experiential undercurrent. \"Naki Kyoku\" begins with sentimental shoegaze riffage leading into a whirlwind of drones and fuzz-heavy enough to tear a whole in space. \"Ibitsu\" is a thrash punk track at its core, speeding through powerful punchy vocals and layer-upon-layer of screaming guitar. Title track \"Akuma No Uta\" is an amalgam of tender melodic guitar and heavy noise tracks showing the concussive power and tenacious diversity that Boris does better than any player in the game.\u003c\/span\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32439999823938,"sku":"TMR 632","price":34.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/813547027849_main.jpg?v=1599583642"},{"product_id":"mizmor-mishlei","title":"Mizmor - Mishlei","description":"\u003ctable cellspacing=\"0px\" cellpadding=\"0px\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Mishlei\" is a compilation of Mizmor's music made between 2013 and 2015, between the self-titled full length and \"Yodh\". Originally released across an EP and three splits, and clocking in at 75 minutes of wholly doomed black metal, these five songs together make up a unique full-length listening experience all their own. These works find the project at its most transitional, chronicling a period of time rich with progress in both the spiritual and sonic aspects of the Mizmor journey. And now, in 2020, the collection is finally getting the vinyl treatment from Gilead Media in efforts to preserve and refresh these more underground, lesser known releases from Mizmor.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRelease Date 9\/25\/2020\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"redeye","offers":[{"title":"Default Title","offer_id":32451104211010,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/LP-RELIC-116.jpg?v=1600192208"},{"product_id":"botany-end-the-summertime-forever","title":"Botany - End the Summertime F(or)ever","description":"\u003cspan data-mce-fragment=\"1\"\u003eAustin-based producer and multi-instrumentalist Spencer Stephenson’s first solo LP in nearly four years End the Summertime F(or)ever is sample-studded mood board of bass-heavy abstract hip hop, spiraling psychedelia, and disco-house, that explores deep time, aging, societal upheaval, the afterlife, and the cosmic perspective as they appear through the distorting, relentless Texas heat. Though the album was titled long before the tumult of 2020, it serves as a premonitory fever dream of what transpired in the months between its completion and release.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“I came up with the title in fall of 2018, so it was never meant to speak explicitly about pandemics or protests,” Stephenson comments, “but in the years I was putting it together I couldn’t help but acknowledge that an era of complacency was coming to a close for me and for the world, and that instinct shaped these tracks more than any other factor.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLike Gil Scott-Heron and Brian Jackson’s 1974 album Winter In America, Stephenson’s Summertime isn’t a season of leisure, but of seemingly endless sociopolitical, environmental, and economic forces bearing down from above, symbolized in the lingering high temperatures of overlong Texas summers. “When I was a kid summer was something to look forward to; a time of late nights, no\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eschedules, using my time to explore whatever. As an adult, it’s been a season of frustrations that just seem to be drawn out by the heat. It’s a time of high bills, heat exhaustion, and avoiding the outdoors until the sun goes down, often well into November. Unfortunately the future holds these kinds of summers for more and more people in more and more places.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this sense, End the Summertime F(or)ever asks the listener to reexamine what adjectives like “sunny” will come to mean in a world of rising global temperature, and unrest that will inevitably keep rising with it. Will cultural relics like Gershwin’s “Summertime” come off as smug reminders of a more verdant past? Isn’t sunlight, often considered a rejuvenating force in the realm of metaphor, also capable of fading, melting, and warping all that it touches? Isn’t that sun that we long for in winter the same one that will someday swallow the Earth with total indifference?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the meantime Botany hosts an auditory mass exorcism for the angst, fatigue, confusion, and fervor of the times, summed up in the album’s spoken-word tagline spliced from self-help tapes and evangelical rants: “You’re off by yourself \/ in a quiet place \/ picture the Earth \/ as seen from Space \/ it’ll be so groovy \/ it’ll be so great \/ at the end of summer \/ and the United States.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e","brand":"secretly canadian","offers":[{"title":"Default Title","offer_id":32477897654338,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a2226230756_16.jpg?v=1601315414"},{"product_id":"boards-of-canada-tomorrows-harvest","title":"Boards of Canada - Tomorrow's Harvest","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe idolized and enigmatic duo are back. 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Whether it’s through Irisarri’s celestial long-form albums or his lauded audio engineering credentials for countless artists and labels, Irisarri’s consistent dedication to his craft never wavers from the forefront.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile Irisarri’s compositions typically field an array of modern ambient overtones threaded through oceanic symphonies with tape loops, bowed electric guitar and vast washes of overdriven sound, his recent debut album for Dais Records, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePeripeteia\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, portray these common themes giving way to metal and classical influences that emphasizes Irisarri’s melancholic tendencies. These unique overtures, coupled with his signature layering of distortion and bleached-out textures, fabricate an audible environment that would seemingly be at odds with, yet gracefully complement each other. In Irisarri’s own words, “My previous works internalize any exterior forces or circumstances, while trying to make sense of the world. Peripeteia reverses that approach, focusing on the personal in order to tell a wider human story.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe emotional depth found throughout Peripeteia is impeccably on display with the track, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMellified\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. A collaboration with Spanish composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eYamila\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the choral arrangements bring to mind the sacred music of Arvo Pärt, while her voice combines the Andalusian “Cante jondo” style with medieval modes, almost drowning in layers of octave fuzz distortion and dystopian synths patterns. On \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eArduous Clarity\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the bright arpeggiating melody that churns throughout, offers the initial glimmer of optimism in an otherwise decaying tale of personal turmoil. This encouraging glimpse is short lived however, as the song \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eRefuge\/Refuse\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e seemingly plummets into the mourning depths of somber despair. 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After all,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e2R0I2P0\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003etranslates to \"Twenty Twenty R.I.P.\" \"This year was a period of trial for everyone in the world,\"\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBORIS\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003ecomments.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"This work becomes a monument to the requiem of the previous era. 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Led into battle with their instruments and various household appliances by visionary Dylan Carlson, this post-industrial band at one time featured Kurt Cobain (Nirvana - as if you didn't know) and famed Seattle-area bassists Joe Preston and Dave Harwell.. \u003c\/span\u003e","brand":"ALLIANCE","offers":[{"title":"Default Title","offer_id":38525872668841,"sku":"","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/825219.jpg?v=1611780725"},{"product_id":"sunno-kannon","title":"SunnO))) - Kannon (Silver Vinyl)","description":"\u003cspan data-mce-fragment=\"1\"\u003eKannon is an album which was composed in the aftershadow of SUNN O)))’s most recent successes in immersive collaboration (the group worked with Scott Walker on Soused, Ulver on Terrestrials in 2013 and 2014) and also from the broad and influential wake of their epitimous Monolith’s \u0026amp; Dimensions . Kannon emerged both independently as a conceptual entity and with roots in the legacies of those projects, yet was fully realised years later, in 2015. The album is 36 minutes in length and consists of three pieces of a triadic whole : Kannon 1, 2 and 3.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album celebrates many SUNN O))) traditions ; Kannon was recorded and mixed with SUNN O)))’s close colleague and coproducer Randall Dunn in Seattle, in Studio Litho, Aleph and Avast! ; and the LP includes performances by long term allies and collaborators Attila Csihar, Oren Ambarchi, Rex Ritter, Steve Moore and others. And at the core the composition centers around the dynamic and intense guitar and bass interplay of SUNN O)))’s founders : Stephen O’Malley \u0026amp; Greg Anderson.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s possibly the most figurative album SUNN O))) has created, which is unusual as they usually dwell in layers of\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eabstraction and subjectivity. On the other hand the album is the most outright “metal” in years, drawing personal associations and memories of cherished albums like Panzerfaust and Twilight of the Gods again to the forefront of consciousness. At the third time it is very close to the cyclical character of mantra which the band has evolved into as a living creature, the enormity of intense sensate detail and manifestation of the live in concert face of SUNN O))), the organism that has flourished, metamorphosed and transcended tremendously over the past ten years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe literal representation of Kannon is as an aspect of Buddha : specifically “goddess of mercy” or “Perceiving the Sounds (or Cries) of the World”. She is also sometimes commonly known as the Guanyin Bodhisattva (Chinese: 觀音菩薩) amongst a plurality of other forms. 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She also explores the relations and perceptions to their approach to these ideas via the metonym of music and SUNN O)))’s place\/approach within the framework of music and metal overall\u003c\/span\u003e","brand":"Southern Lord Records","offers":[{"title":"Default Title","offer_id":38642700452009,"sku":"sunn 250 lp","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a3694985589_10.jpg?v=1613443804"},{"product_id":"sunno-domkirke","title":"SunnO))) - Domkirke","description":"\u003cspan data-mce-fragment=\"1\"\u003eLive recording from Borealis Festival 2007 concert in Bergen's Domkirke, released as gatefold 2LP.\u003c\/span\u003e","brand":"Southern Lord Records","offers":[{"title":"Default Title","offer_id":38642707923113,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a1157690055_16.jpg?v=1613443956"},{"product_id":"godspeed-you-black-emperor-allelujah-don-t-bend-ascend-lp-7","title":"Godspeed You! 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The new album presents the fruits of that labour: evolved and definitive versions of two huge compositions previously known to fans as “Albanian” and “Gamelan”, now properly titled as “MLADIC” and “WE DRIFT LIKE WORRIED FIRE” respectively. Accompanied by the new drones (stitched into the album sequence on CD; cut separately on their own 7″ for the LP version), GYBE have offered up a fifth album that we feel is as absolutely vital, virulent, honest and heavy as anything in their discography.\u2028\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u2028We don’t have much time for mythology, but we’d be lying if we said the return of Godspeed You! Black Emperor in 2010 didn’t signify a whole lot to us as a marker from which to look back on\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethe past decade, to reflect on what’s been gained or lost within the confines of independent music culture and what’s been gained or lost in the socio-political landscape writ large. Godspeed’s music will do that to you. It is music that bears witness to, channels and transforms this predominantly terrible, infuriating, venal and nihilistically sad story we’re all living, sharing, resisting, protesting, deconstructing and trying to change for the better. We think GYBE has once again provided a uniquely moving and compelling soundtrack for these acts of analysis, defiance and ascension.\u003c\/span\u003e","brand":"secretly canadian","offers":[{"title":"Default Title","offer_id":39253293924521,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/Godspeed_You__Black_Emperor_-_Allelujah__Don_t_Bend__Ascend.jpg?v=1614190375"},{"product_id":"amulets-blooming","title":"Amulets - Blooming","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe prolific, Portland-based Randall Taylor is an audio \/ visual artist best known for his musical project, Amulets. Taylor’s work uses analog tape and its imperfections to explore themes like degradation and nostalgia and their relationship to technology and to the self. By constructing and modifying tape loops and repurposing antiquated cassette players, Taylor creates dense, never-ending, looping soundscapes for both his live performances and sculptural sound art installations.\u003c\/span\u003e\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTaylor’s new album, Blooming, was fully written and recorded in quarantine in his home studio in early 2020. His personal life was in upheaval as was the world around him—the isolation, sadness and change had Taylor missing “… what it felt like to feel alive and the need to feel that again,” he says. With widespread global pandemic and social distancing protocols in effect, Taylor would go on solo daily walks to clear his head and was struck by all of the blooming flowers surrounding him during springtime in Portland. Within that beauty came his realization that nothing lasts forever and that everything is cyclical—ultimately resulting in themes of growth, decay, melancholy and beauty inherent throughout Blooming. Taylor says that the songs on the record became a part of his processing and journey, blossoming into a new life and outlook.\u003c\/span\u003e\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTaylor has performed across the country at numerous festivals and opened for such acts as This Will Destroy You, Efrim Manuel Manuck (of Godspeed You Black Emperor), Benoit Pioulard, and Steve Hauschildt to name a few. His solo exhibition work has been on display in Austin, TX at Dimension Gallery and most recently installed in Portland, OR at Variform Gallery. Taylor was also recently published in the latest Kim Bjorn book series PEDAL CRUSH as an artist and inspirational creator. His last full-length, Between Distant And Remote, was released on Beacon Sound Records in late 2019, which he toured along the west coast in support of. Most recently, Amulets collaborated with Flenser family Midwife on the track “Heaven” for her new split cassette.\u003c\/span\u003e\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs Amulets, Taylor pays homage to the paradox of memory and growth, creating a deeply immersive musical landscape in the process.\u003c\/span\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":39584043729065,"sku":"FR119","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a0112182832_16.jpg?v=1617326834"},{"product_id":"boris-heavy-rocks-vol-1-7","title":"Boris - Japanese Heavy Rocks Hits Vol 1 7\"","description":"","brand":"Southern Lord Records","offers":[{"title":"Default Title","offer_id":40114784174249,"sku":"","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/988e8ca3-ff52-43c2-bfa2-0c837fdf98a1_1.427f842dd54235b09cb959ded6dc7781.jpg?v=1618946113"},{"product_id":"boris-japanese-heavy-rocks-vol-2-h-m-a-7","title":"Boris - Japanese Heavy Rocks Vol 2 H.M.A.\" 7\"","description":"\u003cspan data-mce-fragment=\"1\"\u003e\"On side A, the title track \"H.M.A. - Heavy Metal Addict-\" is a heady slab of heavy metal tropes, alternating between spacey industrial SFX, hard-driving guitar and the mantra-like chants of the titular acronym. 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They've all at one point collaborated with Gavin Bryars, one of the world's most important and celebrated living composers. Recorded in an 18th century hotel in the French Pyrenees, the new album by Crowhurst recomposes and gives new life to elements of released and unreleased works by Bryars. The end result are pieces that feel as close to the symphonic drone of Monoliths-era Sunn 0))) as they do to Bryars' collaborations with Brian Eno on Discreet Music or his masterwork 'The Sinking Of The Titanic'. Both artists have consistently pushed the boundaries of their respective idioms, and together the result is a shimmering orchestra of desolation akin to Trent Reznor's finest ambient work. String sections ring out and resonate against metal and church bells sing and whimper. 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In that time, they have amassed a hard-to-define and influential body of work, and Diptych sees the band operating at the height of their “big amp ambient” powers.\u003c\/span\u003e\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiptych is a masterclass in slowly undulating ambient drift, and quite possibly the definitive headphone album of the year. Guitars that sound like organs pointed at the heavens are cut with subtly damaged electronic moves, the end result being a record that is at once ecstatic, transportive and gritty.\u003c\/span\u003e\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmbient and new age music have become part of the larger indie vocabulary. Things were different over twenty years ago in the Olympia, Washington punk community where Doria and DeNardo got their start. 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The band comments, “having cut our teeth in very different musical backgrounds respectively, our intuitions vary, which has an interesting effect on our individual approaches and ears.”  Lyrically, VITAL explores the weight of race and gender, endurance and navigating other people’s behaviors, observation and protest. The band further commented “this album involves what it means navigating the outside world in a racialized body and what it does to the psyche as a whole while exploring individual worth within this reality.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn VITAL, BIG | BRAVE once again made the trek down to Rhode Island to record with Seth Manchester at Machines with Magnets. 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Esfandiari smugly whispers: “you know it could have been you \/ so don’t you dare judge the things that I do” — the fallen archangel in deceitful persuasion. Esfandiari is accompanied by the beastly drumming of Joseph Raygoza and Peter Arendorf's heavy-laden guitar flooding empty spaces with great fervor— masterfully stirring the listener with every sparse, emotional pluck. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKING WOMAN\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e once again takes us to church with hardcore gospel, “Coil\". “Five wounds you rape me \/ but I resurrect” declares Esfandiari in unhinged jubilation. Esfandiari desperately begs to be absolved in the crazed offerings of “Psychic Wound”, ultimately regaining a powerful reflection of herself after a provocative and tormenting dance with the Devil.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCelestial Blues\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eis at once a masterclass on crushing atmospheric doom, and at times a sobering take on the weightier sides of shoegaze. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt the album's core, a palpable tension can be felt. Acoustic guitars soar before descending into a darkness of riff-heavy distortion. Drums build upon these moments and explode into a cacophonous groove.  Esfandiari's voice remains at the forefront; somber moments lead to burning intensity and crescendo. 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Here a cacophony of flute and whistles, viola, tape loops, alto saxophone, bulbul tarang and guitars churn and cavort through ebbing cosmic shimmer and ecstatic pulsing ritualistic Eastern drones. Try imagining The Velvet Underground, The Taj Mahal Travellers and Parson Sound transported to the Arabian desert. It is ecstatic and otherworldly as you open up your mind and let everything come through—The Myrrors have found the keys to the kingdom of heaven. 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