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Today, with its first ever release on vinyl Sentient Ruin and Everlasting Spew (EU) aim at paying due homage and service to a release of inestimable power and importance that has sanctioned the birth and rise of one of death-doom's most under-appreciated but visionary contemporary death\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003emetal acts.\u003cbr\u003e\u003cbr\u003eOver the course of its four movements and thirty minutes of dismal heaviness and towering sonic enormity \"The Three Appearances\" glorifies death-doom in all its most iconic and beloved traits while redefining and reimagining the genre all-together, pushing it into an even more profound, refined, and dramatic dualism made of bludgeoning death metal riff mastery and ethereal and contemplative psychedelic virtuosity. 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Its single, monolithic track also served as a tribute to the band’s former drummer Adrian Guerra, who tragically passed away the year before.\u003cbr\u003eFive years earlier, on the back of a highly praised demo, the band released their debut album, Longing. Featuring the original line-up of Dylan Desmond and Adrian Guerra (RIP), the album was recorded by Brandon Fitzsimons (Wormwood, Samothrace). It is a time-stretching journey through darkness, pain, and suffering, and doomed minimalism that is now considered a classic of the genre.\u003cbr\u003eOriginally released on CD by Profound Lore in 2012 and on vinyl by The Flenser, the vinyl edition has been out of print for several years until now. 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And it is of course a cliché, but Elder bring their own organism to life from all these influences. \u003c\/p\u003e\n\u003cp\u003eElder already strike out on their chosen path on the album opener \"Sanctuary.\" What begins as a trademark stoner song turns on it's own axis several times at minute four, morphing into lyrical polyphonic pickings and using a Mellotron to sweet-talk it's way to an unfathomable and brutal finale. \"The Falling Veil\" moves between Thin Lizzy with palpitations and undulating progressive riffs. Those who think of Kyuss during \"Staving Off Truth\" won't be able to hold that though the entire 11 minutes of the song. And as hymn-like as the riffs can be, the band never settles down to one part for longer than two minutes. But at the same time, the songs never lose their coherence, because all the parts are logically woven into one another. And it could be that \"Sonntag,\" a detour into the Krautrock motorik functions of Neu!, most clearly shows the limitless cosmic ambitions of Elder. \u003c\/p\u003e\n\u003cp\u003eElder will be taking \"Reflections Of A Floating World\" live to European fans in July and August 2017, followed by a USA tour in the fall. The East Coast trio will be a quartet for the first time ever on these tours with the addition of Mike Risberg on second guitar and keyboards. Anybody who has already seen Elder live know that they shouldn't miss the opportunity to see them on this tour! \u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e1. Sanctuary \u003cbr\u003e2. The Falling Veil \u003cbr\u003e3. Staving Off Truth \u003cbr\u003e4. Blind \u003cbr\u003e5. Sonntag \u003cbr\u003e6. Thousand Hands \u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227871162434,"sku":"ARMAGSHOP010v- 2","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a1509739310_10.jpg?v=1620870165"},{"product_id":"electric-wizard-wizard-bloody-wizard","title":"Electric Wizard - Wizard Bloody Wizard","description":"\u003cp\u003e\u003cstrong\u003e‘Wizard Bloody Wizard’ – the ninth ELECTRIC WIZARD studio album – is released November 10th 2017 via Witchfinder Records \/ Spinefarm Records…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Jus Oborn and Liz Buckingham, and mixed by Oborn, this stripped back, all-analogue affair sees the band rising above convention and genre to construct their own vision of classic heavy rock… a sound harking back to the dreaded days when ‘heavy’ meant Grand Funk and Black Sabbath, and ‘rock’ meant drugs, groupies and mountains of amplification.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e‘Wizard Bloody Wizard’:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e43 brain-damaging minutes, six savage hymns to death, drugs, sex and violence, music dragged (and drugged) back from the grave…\u003c\/p\u003e\n\u003cp\u003eThe line is drawn. In blood.\u003c\/p\u003e","brand":"ALLIANCE","offers":[{"title":"Default Title","offer_id":32227871359042,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/71AQYsaZOdL._SL1200.jpg?v=1615944497"},{"product_id":"elizabeth-colour-wheel-nocebo","title":"Elizabeth Colour Wheel - Nocebo","description":"\u003cp class=\"modal_price subtitle\" style=\"text-align: center;\"\u003e\u003cfont color=\"#000000\" face=\"Arial\"\u003e\u003cspan style=\"font-size: 13.3333px; background-color: #efefef;\"\u003eNo\u003c\/span\u003e\u003c\/font\u003ecebo; “a detrimental effect on health produced by psychological or psychosomatic factors such as negative expectations of treatment or prognosis.”\u003c\/p\u003e\n\u003cdiv class=\"product-form-container\"\u003e\n\u003cdiv class=\"clearfix product_form init smart-payment-button--true product_form_options product_form--swatches is-visible\" id=\"product-form-2376926789710\" data-product-form=\"\" data-money-format=\"${{amount}}\" data-shop-currency=\"USD\" data-select-id=\"product-select-2376926789710product-image-scroll__main\" data-enable-state=\"true\" data-product='{\"id\":2376926789710,\"title\":\"Elizabeth Colour Wheel \\\"Nocebo\\\" LP\",\"handle\":\"elizabeth-colour-wheel-nocebo-lp\",\"description\":\"\\u003cmeta charset=\\\"utf-8\\\"\\u003e\\n\\u003cp\\u003e\\u003cb\\u003eThe first pressing of Nocebo has sold out! The second pressing is on Neon Violet Vinyl (lim. 300 copies) as well as Neon Yellow and Neon Violet Half and Half Vinyl (lim. 200 copies). \\u003c\\\/b\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cb\\u003e\\u003c\\\/b\\u003eNocebo; “a detrimental effect on health produced by psychological or psychosomatic factors such as negative expectations of treatment or prognosis.”\\u003c\\\/p\\u003e\\n\\u003cp\\u003eNocebo, the first full-length by the Boston Massachusetts five piece ELIZABETH COLOUR WHEEL, is inspired by anxiety, the fear and the desire of being constantly overwhelmed. Nocebo came to fruition over the summer of 2018 with the band embracing a heavy \\\"kill your idols\\\" mindset over the summer of 2018, crafting an album that is distinctly schizophrenic yet familiar, touching on 90’s heavy rock, shoe-gaze, and black metal influences. \\u003cbr\\u003e\\u003cbr\\u003eMixed and mastered by Seth Manchester of Machines of Magnets (The Body, Street Sects), Nocebo is a five-walled haunted house, constructed from the wild, chantlike vocals of Lane Shi, the heavy, reverberant guitars of Emmett Palaima and Alice Jackson, the sludgy, distorted bass of Billy Cunningham, and the powerful, aggressive drumming of Connor Devito. Inside these walls are frequencies of spectral anger echo and resound, gathering into thunderous waves which crash against the borders of the room before dying out into eerie silence. \\u003cbr\\u003e\\u003cbr\\u003eELIZABETH COLOUR WHEEL, whose name is pinched from The Lily’s track of the same name, formed in 2014 around the Boston area. The band has shared the stage with numerous bands, mostly notably Flenser label-mates Have a Nice Life and Planning for Burial. Nocebo is the band’s first release for the The Flenser.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eMilky Clear w\\\/ Oxblood Splatter Vinyl is limited to 300 copies. There are 250 available with a special edition silk-screened art cover.  \\u003c\\\/p\\u003e\\n\\u003cp\\u003eFlenser Series One Subscribers will be getting color-in-color Milky clear with Oxblood center.\\u003c\\\/p\\u003e\\n\\u003cp\\u003e \\u003ciframe width=\\\"560\\\" height=\\\"315\\\" src=\\\"https:\\\/\\\/www.youtube.com\\\/embed\\\/VL6fyoQZh2g\\\" frameborder=\\\"0\\\" allow=\\\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\\\" allowfullscreen=\\\"\\\" class=\\\"ui-droppable\\\"\\u003e\\u003c\\\/iframe\\u003e\\u003c\\\/p\\u003e\",\"published_at\":\"2019-07-16T17:46:10-07:00\",\"created_at\":\"2019-01-09T15:41:15-08:00\",\"vendor\":\"The Flenser\",\"type\":\"Vinyl\",\"tags\":[\"vinyl\"],\"price\":1750,\"price_min\":1750,\"price_max\":1900,\"available\":true,\"price_varies\":true,\"compare_at_price\":null,\"compare_at_price_min\":0,\"compare_at_price_max\":0,\"compare_at_price_varies\":false,\"variants\":[{\"id\":21200159768654,\"title\":\"Neon Violet Vinyl\",\"option1\":\"Neon Violet Vinyl\",\"option2\":null,\"option3\":null,\"sku\":\"ECW-NOCEBO-VIOLET\",\"requires_shipping\":true,\"taxable\":true,\"featured_image\":null,\"available\":true,\"name\":\"Elizabeth Colour Wheel \\\"Nocebo\\\" LP - Neon Violet Vinyl\",\"public_title\":\"Neon Violet Vinyl\",\"options\":[\"Neon Violet Vinyl\"],\"price\":1750,\"weight\":425,\"compare_at_price\":null,\"inventory_quantity\":72,\"inventory_management\":\"shopify\",\"inventory_policy\":\"deny\",\"barcode\":\"\"},{\"id\":21200159735886,\"title\":\"Neon Yellow \\u0026 Neon Violet Half and Half Vinyl\",\"option1\":\"Neon Yellow \\u0026 Neon Violet Half and Half Vinyl\",\"option2\":null,\"option3\":null,\"sku\":\"ECW-NOCEBO-YELLOW\\u0026VIOLET\",\"requires_shipping\":true,\"taxable\":true,\"featured_image\":null,\"available\":true,\"name\":\"Elizabeth Colour Wheel \\\"Nocebo\\\" LP - Neon Yellow \\u0026 Neon Violet Half and Half Vinyl\",\"public_title\":\"Neon Yellow \\u0026 Neon Violet Half and Half Vinyl\",\"options\":[\"Neon Yellow \\u0026 Neon Violet Half and Half Vinyl\"],\"price\":1900,\"weight\":258,\"compare_at_price\":null,\"inventory_quantity\":111,\"inventory_management\":\"shopify\",\"inventory_policy\":\"deny\",\"barcode\":\"\"}],\"images\":[\"\\\/\\\/cdn.shopify.com\\\/s\\\/files\\\/1\\\/1719\\\/7393\\\/products\\\/elizabeth-colour-wheel-nocebo-lp-7036837593166.jpg?v=1592370382\"],\"featured_image\":\"\\\/\\\/cdn.shopify.com\\\/s\\\/files\\\/1\\\/1719\\\/7393\\\/products\\\/elizabeth-colour-wheel-nocebo-lp-7036837593166.jpg?v=1592370382\",\"options\":[\"Vinyl Options\"],\"media\":[{\"alt\":null,\"id\":7330993995854,\"position\":1,\"preview_image\":{\"aspect_ratio\":1.0,\"height\":1500,\"width\":1500,\"src\":\"https:\\\/\\\/cdn.shopify.com\\\/s\\\/files\\\/1\\\/1719\\\/7393\\\/products\\\/elizabeth-colour-wheel-nocebo-lp-7036837593166.jpg?v=1592370382\"},\"aspect_ratio\":1.0,\"height\":1500,\"media_type\":\"image\",\"src\":\"https:\\\/\\\/cdn.shopify.com\\\/s\\\/files\\\/1\\\/1719\\\/7393\\\/products\\\/elizabeth-colour-wheel-nocebo-lp-7036837593166.jpg?v=1592370382\",\"width\":1500}],\"content\":\"\\u003cmeta charset=\\\"utf-8\\\"\\u003e\\n\\u003cp\\u003e\\u003cb\\u003eThe first pressing of Nocebo has sold out! The second pressing is on Neon Violet Vinyl (lim. 300 copies) as well as Neon Yellow and Neon Violet Half and Half Vinyl (lim. 200 copies). \\u003c\\\/b\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cb\\u003e\\u003c\\\/b\\u003eNocebo; “a detrimental effect on health produced by psychological or psychosomatic factors such as negative expectations of treatment or prognosis.”\\u003c\\\/p\\u003e\\n\\u003cp\\u003eNocebo, the first full-length by the Boston Massachusetts five piece ELIZABETH COLOUR WHEEL, is inspired by anxiety, the fear and the desire of being constantly overwhelmed. Nocebo came to fruition over the summer of 2018 with the band embracing a heavy \\\"kill your idols\\\" mindset over the summer of 2018, crafting an album that is distinctly schizophrenic yet familiar, touching on 90’s heavy rock, shoe-gaze, and black metal influences. \\u003cbr\\u003e\\u003cbr\\u003eMixed and mastered by Seth Manchester of Machines of Magnets (The Body, Street Sects), Nocebo is a five-walled haunted house, constructed from the wild, chantlike vocals of Lane Shi, the heavy, reverberant guitars of Emmett Palaima and Alice Jackson, the sludgy, distorted bass of Billy Cunningham, and the powerful, aggressive drumming of Connor Devito. Inside these walls are frequencies of spectral anger echo and resound, gathering into thunderous waves which crash against the borders of the room before dying out into eerie silence. \\u003cbr\\u003e\\u003cbr\\u003eELIZABETH COLOUR WHEEL, whose name is pinched from The Lily’s track of the same name, formed in 2014 around the Boston area. The band has shared the stage with numerous bands, mostly notably Flenser label-mates Have a Nice Life and Planning for Burial. Nocebo is the band’s first release for the The Flenser.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eMilky Clear w\\\/ Oxblood Splatter Vinyl is limited to 300 copies. There are 250 available with a special edition silk-screened art cover.  \\u003c\\\/p\\u003e\\n\\u003cp\\u003eFlenser Series One Subscribers will be getting color-in-color Milky clear with Oxblood center.\\u003c\\\/p\\u003e\\n\\u003cp\\u003e \\u003ciframe width=\\\"560\\\" height=\\\"315\\\" src=\\\"https:\\\/\\\/www.youtube.com\\\/embed\\\/VL6fyoQZh2g\\\" frameborder=\\\"0\\\" allow=\\\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\\\" allowfullscreen=\\\"\\\" class=\\\"ui-droppable\\\"\\u003e\\u003c\\\/iframe\\u003e\\u003c\\\/p\\u003e\"}' data-product-id=\"2376926789710\"\u003e\u003cform method=\"post\" action=\"https:\/\/nowflensing.com\/cart\/add\" id=\"product_form_2376926789710\" accept-charset=\"UTF-8\" class=\"shopify-product-form\" enctype=\"multipart\/form-data\"\u003e\n\u003cdiv class=\"purchase-details \"\u003e\u003c\/div\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"description content bottom has-padding-top\"\u003e\n\u003cp\u003eNocebo, the first full-length by the Boston Massachusetts five piece ELIZABETH COLOUR WHEEL, is inspired by anxiety, the fear and the desire of being constantly overwhelmed. Nocebo came to fruition over the summer of 2018 with the band embracing a heavy \"kill your idols\" mindset over the summer of 2018, crafting an album that is distinctly schizophrenic yet familiar, touching on 90’s heavy rock, shoe-gaze, and black metal influences.\u003cbr\u003e\u003cbr\u003eMixed and mastered by Seth Manchester of Machines of Magnets (The Body, Street Sects), Nocebo is a five-walled haunted house, constructed from the wild, chantlike vocals of Lane Shi, the heavy, reverberant guitars of Emmett Palaima and Alice Jackson, the sludgy, distorted bass of Billy Cunningham, and the powerful, aggressive drumming of Connor Devito. Inside these walls are frequencies of spectral anger echo and resound, gathering into thunderous waves which crash against the borders of the room before dying out into eerie silence.\u003cbr\u003e\u003cbr\u003eELIZABETH COLOUR WHEEL, whose name is pinched from The Lily’s track of the same name, formed in 2014 around the Boston area. The band has shared the stage with numerous bands, mostly notably Flenser label-mates Have a Nice Life and Planning for Burial. Nocebo is the band’s first release for the The Flenser.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227871490114,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a3877463937_16.jpg?v=1593399880"},{"product_id":"firebreather-under-a-blood-moon","title":"Firebreather - Under a Blood Moon","description":"\u003cdiv class=\"\"\u003eFire is what happens when a carbon based object is consumed by oxygen. That chemical reaction is fitting to the sound of Firebreather: The riffs are suffocating, the rhythms fast moving and all-consuming. It’s so blindingly and deafeningly monolithic, don’t be surprised to find yourself gasping for air while listening.\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eThe Gothenburg, Sweden trio has a streamlined focus on driving, symphonic riffs in the vein of\u003cspan\u003e \u003c\/span\u003e\u003cb class=\"\"\u003eHigh on Fire\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb class=\"\"\u003eInter Arma\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand their tour- and label-mates\u003cspan\u003e \u003c\/span\u003e\u003cb class=\"\"\u003eMonolord\u003c\/b\u003e. The guitar and bass tones are, quite simply, entrancing. Like watching flames engulf a forest, the billowing guitar tones are simultaneously beautiful and destructive, while the rhythms sway and lunge with vicious precision.\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e“It’s\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"\"\u003eriff based, heavy as fuck, but with a groove to it,” explains vocalist\/guitarist Mattias Nööjd, formerly of popular Swedish doom merchants Galvano. “We had gotten off a tour with Monolord in February of 2018 and by that time we had the song ‘Firebreather’ done,” but soon thereafter new drummer Axel Wittbeck joined the fold.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e“\u003cspan class=\"\"\u003eOnce Axel had joined, it was like the flood gates opened,” says bassist Kyle Pitcher. “The rest of the album just came together.”\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci class=\"\"\u003eUnder a Blood Moon\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded at\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"\"\u003eElementstudion in Gothenburg with engineer Oskar Karlsson, who also recorded the band’s lauded 2017 self-titled debut on Suicide Records. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eAlbum opener “Dancing Flames” sets the stage for the onslaught to come with a slinking, serpentine riff over slow churning rhythms.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"\"\u003eNööjd’s hushed, gravelly vocals sink into the mix, more like a baritone guitar than a human voice. “Our Souls, They Burn” nicely exemplifies the band’s furious grind that makes even faster tempo songs sound impossibly heavy, like a slow motion stampede. Elsewhere, “We Bleed” perfectly sums up the band’s focus on the riff and groove, honing in on the power of hypnotic attrition. Closing epic, “The Siren” opens with lugubrious, slightly swinging drums and rumbling bass building tension over delay- and phaser-soaked guitar harmonics, until a massive, sliding riff crashes headlong into the proceedings. The song seems to cleverly shape shift across several harmonic and rhythmic parts, without losing the core groove underneath. A short pause for breath, then it’s off to the races with a galloping crescendo for succinct closure. \u003c\/span\u003e\n\u003c\/div\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227875389506,"sku":"","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a1768813232_16.jpg?v=1596222856"},{"product_id":"forn-the-departure-of","title":"Fórn - The Departure of Consciousness (LP+7\")","description":"\u003cp\u003e\u003cspan\u003e\"Last year my old friend Andy texted me after a tour suggesting I check out this new band, Fórn. Their bands had played together on tour and he was certain they would be right up my alley. He wasn’t wrong. I was floored.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Departure of Consciousness is a devastating debut record, without question. It is an offering of completely destructive energy. Throughout the album Fórn ascend to a realm of apocalyptic riffage and scathing vocals, giving way only briefly to lulls of despondent melody. Before any glimmer of hope is capable of penetrating the filth and the grime, this entity of misery plunges back to immeasurable depths and broods in despair. This is a seething album of bleak and blistering atmosphere, it is a work of doom absolute.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-Adam Bartlett of Gilead Media\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor fans of: \u003cstrong\u003eAsunder\u003c\/strong\u003e and \u003cstrong\u003eBurning Witch\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227877060674,"sku":"VENDETTA 92","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a3612085751_16.jpg?v=1593389838"},{"product_id":"graves-at-sea-document-of-grief","title":"Graves at Sea - Document Of Grief","description":"\u003cp\u003e\u003cspan\u003eGRAVES AT SEA from Arizona have made a lot of noise in the underground the past few years. Already considered one of the best Doom bands in existence the band has yet to issue their debut LP (coming later this year on a much bigger label)! Documents Of Grief was self-released by the band back in 2003 and quickly sold out and hasn’t been seen since. The band followed it up with an EP for the SOUTHERN LORD 7 inch series and then last years highly praised split album with ASUNDER (released by 20 BUCK SPIN on vinyl). 20 BUCK SPIN loved Documents Of Grief so much that we convinced the band to let us release it officially in anticipation of their debut LP and their upcoming May 2006 tour, and for those who missed out before. This is an essential document of Doom’s present and future!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227881025602,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a0079210046_16.jpg?v=1595965556"},{"product_id":"high-on-fire-electric-messiah","title":"High on Fire - Electric Messiah","description":"\u003cp\u003e\u003cspan\u003e“I had a dream about Lemmy,” says Matt Pike, explaining the inspiration behind the title of High on Fire’s triumphant eighth album Electric Messiah.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“When Lemmy was still alive I always got compared to Lemmy,” the gravelly-voiced guitarist elaborates, “so I had this dream where he got pissed at me. He gave me a bunch of shit, basically, and was hazing me. Not that he didn’t approve of me, but like I was being hazed. The song is me telling the world that I could never fill Lemmy’s shoes, because Lemmy’s Lemmy. I wanted to pay homage to him in a great way. And it turned out to be such a good title that the guys said we should call the album Electric Messiah. Although at first the working title was ‘Insect Workout With Lemmy’,” he adds with a big laugh.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eElectric Messiah, the best and most diverse of the band’s three albums with Ballou, and a record Pike cannot stop gushing about. Justifiably, too. There’s more speed than ever before (the aforementioned title track, the raucous opener “Spewn From the Earth”, and the thrashy, Sir Francis Drake-inspired “Freebooter”) but the dynamics of Electric Messiah hold the listener riveted.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOf note is the nine-minute Sumerian historical epic “Steps of the Ziggurat\/House of Enlil”, which Pike proudly calls his own\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e“rock opera”. “The song is the creation story of the Sumerians, the weird dichotomy of two gods fighting over power. I put it into two parts because it’s my Sumerian rock opera. At the end I play three different characters: I play the two brothers that clash, and I play Isis, and there’s a high, medium, and low part. It’s very theatrical. I felt like Meat Loaf doing it, but at the same time Bryan Sours at the studio went, ‘I don’t know what you just did, but that’s fucking cool, just keep doing that!”\u003cbr\u003e\u003cbr\u003eFor all the dream visions and historical epics, the state of the real world permeates Pike’s writing on Electric Messiah as well, none more blatantly than on the bluesy closing track “Drowning Dog”. “That one is about the media and the tomfoolery that’s going on,” Pike explains. “You’re either left or right. Do you see how they’ve divided us through the media? I’m basically saying, ‘Do you see how stupid we are?’ Someone’s gotta speak out and say shit like that, or we’re going to continue to be worse slaves over time. They set this shit up so they can keep us under wraps. What they’re afraid of is us ascending and evolving and understanding our past for real. That was the point of a lot of this last album. People not reading the writing on the wall.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ALLIANCE","offers":[{"title":"Default Title","offer_id":32227882991682,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/91JHTWNDurL._SL1500.jpg?v=1611631039"},{"product_id":"high-on-fire-the-art-of-self-defense","title":"High On Fire - The Art of Self Defense (Translucent Blue 2xLP)","description":"\u003cp\u003e\u003cspan\u003eCult metal favorite High On Fire was formed by former Sleep guitarist Matt Pike in late summer 1998. Berthed out of the need to simply play guitar again, Pike jammed with and settled on a line-up of powerhouse drummer Des Kensel and longtime guitarist friend George Rice, who made the switch to bass to round out the trio. They had scarcely \u003c\/span\u003e\u003cspan\u003ebeen together for a few months before demo-ing three songs. That demo, featuring Master of Fists and instant classics 10,000 Years and Blood from Zion, became among the most sought-after tapes in the underground metal scene. High On Fire got straight to the point, bashing away with a neanderthal sense of purpose and creating hypnotic, droning waves of powerful riffs and low-end thunder of the likes not heard before. In 1999, the 3 songs were eventually pressed onto compact disc by a brand new label called 12th records who also doubled as the US dealer of Pikes amp of choice: Matamp.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout 99’, High On Fire continued writing for their debut full-length. The band recorded their debut with Sleep engineer\/producer Billy Anderson at Shark Bite Studios in Oakland, CA. 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Hot on the heels of the restored and remastered reissue of Sleeps’ Dopesmoker album, Southern Lord strikes while the iron is blistering with another essential holy grail documentation.\u003cbr\u003e\u003cbr\u003eThe Art of Self Defense, 2012 issue, was remastered by Brad Boatright who also helmed the remaster of Dopesmoker.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Southern Lord Records","offers":[{"title":"Default Title","offer_id":32227883024450,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a4241775395_16.jpg?v=1595524761"},{"product_id":"holy-serpent-endless","title":"Holy Serpent - Endless","description":"\u003cp\u003e\u003cspan\u003e“Holy Serpent incorporates a lot of great riffs, off-kilter tempo changes, and buckets brimming with originality constantly poured into its songwriting.” \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e— Metal Injection\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003eIn the time since their self-titled RidingEasy debut in mid-2015, Melbourne, Australia’s Holy Serpent have gained a lot of attention for their rather punk version of heavy psych and metal. 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Nonetheless,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEndless\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis like all of the band’s earliest visions fully realized and honed into an album beyond easy classification.\u003c\/div\u003e\n\u003cdiv\u003eStarting with the slow, exaggeratedly compressed 4\/4 drum lead in to “Lord Deceptor” — something of a hi-dive anticipation before we plunge headlong into the ensuing depths — crushing and crackling guitars burst in as Penberthy sings in low baritone, “ocean grave, carry me upon a wave \/ I’m hypnotized in prophecy, what Is left for you and me?” Harmonies drift in and out of the main motif as it sways along into the tempest of “Into The Fire.” Here, a churning riff gathers intensity as the rhythm section builds to a lurching 3\/4 time. Reverb-soaked vocals sing, “where the ocean meets the sand, I’ll be waiting, I’ll be waiting there.” Elsewhere, on “For No One,” impossibly low droptuned guitars slink along as the music swells with space rock abandon. Album closer, “Marijuana Trench” is a play on the Mariana trench, the deepest place on earth. Appropriately, the song plunges from gently strummed acoustic guitar into a tsunami crest that pulls the listener under the dark and enveloping weight of sound as Penberthy’s soothing vocals seem to ease us into the end, subsumed in the album’s powerful allure.\u003c\/div\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227884105794,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a2002052220_16.jpg?v=1595536609"},{"product_id":"incantation-profane-nexus","title":"Incantation - Profane Nexus","description":"\u003cp\u003e\u003cspan\u003eLegendary death metal pioneers INCANTATION triumphantly return to their original label Relapse Records to vomit forth another unholy offering of godless abominations on Profane Nexus, their formidable 10th full-length album. Embodying 11 blasphemous tracks of sacrilegious conquests, crushing dirges, and vile riffing, Profane Nexus is an obliteratingly heavy execution of disgusting death metal that further solidifies INCANTATION as one of extreme music's most influential and consistently hailed artists of the past 30 years. 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Nightmarish horror film-like visions, outer space travel, and gritty noir textures – all of this and more have been conjured up in their past records, the much-praised Portal \/ Well (2015) and Marrow Hymns (2018), but now, something even bigger is coming. Prepare for The Vanishing.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227887054914,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a2549609707_10.jpg?v=1593385993"},{"product_id":"khemmis-desolation","title":"Khemmis - Desolation","description":"\u003cp\u003e\u003cspan\u003eAnticipation was high for the release of ‘Hunted’ in 2016, the sophomore album from Denver’s Khemmis and follow up to acclaimed debut ‘Absolution’ . Rather than the all too common sophomore slump, Khemmis raised the stakes and blew everyone away with their rapidly progressing songwriting and production quality, culminating in ‘Hunted’ being named Album Of The Year for 2016 by Decibel Magazine.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNow in 2018, after wrapping up the Decibel Magazine Tour with Enslaved, Wolves In The Throne Room and Myrkur, the excitement for Khemmis’s third album ‘Desolation’, due June 22nd, is palpable across the metal spectrum. Fortunately, when you hail from a place known as the Mile High City lofty expectations come with the territory and the band has created what will come to be known as the definitive Khemmis classic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the stadium-sized opening notes of ‘Bloodletting’ it is immediately evident that Khemmis are again putting distance between themselves and their earlier influences to inform a sound that is singularly their own. ‘Isolation’, recently aired live on the Decibel Tour, is the album’s lead single and most immediate track, with the classic metal melodies the band have become revered for shining throughout. On epic closer ’From Ruin’ and throughout the entirety\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eof the album, the lead vocals and melodies of Phil Pendergast are the clearest, most powerful and best arranged that the band has achieved. Working for the third time with Dave Otero at Flatline Audio in Denver, the band and producer now have the familiarity and mutual experience to arrive at the perfect symbiosis of songwriting, arrangement and production value.\u003cbr\u003e\u003cbr\u003eWhile Khemmis are undeniably influenced by Doom and Classic Metal, to tag them with those labels doesn’t do justice to what’s accomplished on ‘Desolation’, a perfect representation of modern Heavy Metal in 2018 that integrates the past in a way only possible in the present. ‘Desolation’ is not just the best Khemmis record to date but a testament to the quality that Heavy Metal is still capable of.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227889774658,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a1618966144_16.jpg?v=1596056356"},{"product_id":"king-woman-created-in-the-image-of-suffering","title":"King Woman - Created in the Image of Suffering (Translucent Gold with Bone White, Black and Red Splatter)","description":"\u003cp\u003e\u003cspan\u003eSan Francisco's KING WOMAN unveil their debut full-length Created In The Image of Suffering, a profoundly crafted opus of brooding, ethereal doom-rock. Led by the hypnotic and breathy vocal dramatics of Kristina Esfandiari, KING WOMAN harness the elastic textures and temporality of drone and metallic shoegaze alongside the transcendental, melancholic power of doom. Recorded with engineer Jack Shirley (Deafheaven, Wreck \u0026amp; Reference, Oathbreaker) at the Atomic Garden, Created In The Image of Suffering's seven compositions evoke rich, gloomy imagery with crumbling washes of blurred, billowing distortion densely layered atop hazy, psychedelic atmospheres that call to mind a surrealistic Black Sabbath fronted by Mazzy Star. Complete with deeply personal, introspective lyrics that serve as catharsis for years of religious and mental torment, KING WOMAN truly suffer to create their art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"Default Title","offer_id":32227890266178,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a1256656107_16.jpg?v=1593571151"},{"product_id":"melvins-bullhead","title":"Melvins - Bullhead","description":"\u003cp\u003e\u003cspan\u003eAvailable again with updated artwork and a new gatefold sleeve! Melvins' follow-up to 1989’s Ozma was 1991’s groundbreaking Bullhead. 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In fact, the first sound one hears at the album's opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar static and vocal squeals. Drummer Dale Crover plays as if he's inside a barrel going over Niagara Falls; the long, slow fall allows the space between beats to grow and grow until he crashes into the water with the vessel blasting apart in an explosion of drum rolls. \u003c\/span\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227898032194,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/R-373090-1298954507_jpeg.jpg?v=1595960285"},{"product_id":"monarch-never-forever","title":"Monarch - Never Forever","description":"\u003cp\u003e\u003cspan\u003eWith their new album “Never Forever” France’s cult extreme doom metal band MONARCH! continue their singular style of punishing ritualistic drone doom and take it even more towards melancholic territory with their new LP. Even more ghostly, atmospheric, and haunting than its predecessor, 2014’s “Sabbracadaver”, “Never Forever” sees MONARCH! take even more form and shape with their songwriting while still harnessing that plodding, down-tuned, and crushing low-end that has become their signature rhythmic backdrop to vocalist Emilie Bresson’s enchanting and spellbinding vocals. With the more melancholic tone and vibe of “Never Forever”, Bresson adapts her vocals in a more ethereal and delicate manner likewise, while still juxtaposing them with her otherworldly harsh shrieks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSince 2002, MONARCH! have been France’s most recognized and active extreme doom metal band, through countless touring all over the world (which has recently included multiple tours of Japan within the last few years) and delivering a myriad of releases on multiple respected labels of some of the most punishing amplifier worship that has befallen doom metal alongside the likes of such like-minded bands as Corrupted, Noothgrush, Burning Witch, and Khanate. This has earned them the reputation as one of the most recognized and respected underground extreme doom metal bands in the scene today.\u003c\/span\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227901210690,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a4128251738_16.jpg?v=1594695297"},{"product_id":"monolord-no-comfort","title":"Monolord - No Comfort","description":"\u003cp\u003eThe Swedish power trio channel the most exciting elements of driving rock and crushing stoner sludge to produce of the 2019s most gripping and heavy albums. Tracks like \"The Bastard Son\" and \"The Last Leaf\" showcase undeniable riffs piling over each other, continually evolving alongside heart-pounding drums with a bass attack that will make even the most conditioned ears bleed. 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Dark and foreboding through monolithic brutal crestfallen riffs and malformed dissonant rhythmic rumblings “Disgorged From Psychotic Depths” is a towering and dreadful benefaction of atmospheric imposing death metal ruin and depravity reeking of the stench of the early ‘90s American and Finnish death metal scenes.\u003c\/span\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227902488642,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a2732118924_16.jpg?v=1598641506"},{"product_id":"mournful-congregation-the-incubus-of-karma","title":"Mournful Congregation - The Incubus of Karma","description":"\u003cp\u003e\u003cspan\u003eMore than 6 years have passed since the release of ‘The Book Of Kings’, the regal 4th full length album from Australia’s stone pillar of funereal dirge, Mournful Congregation. 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From the first chords of “Double-Edged Sword” I was hooked – the sounds seemed to send some sort of powerful electrical current coursing through my body – and by the time the feedback faded out at the end of “Blisters” I was emotionally spent. I had never heard anything like it: The Word as Law completely changed my understanding of three different musical genres – punk, hardcore, and metal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe record blends elements of all three. There is the raw moodiness of punk. The ferocity and anger of hardcore. The musicianship and dynamics of metal. But The Word as Law transcends all those labels, in the process creating something utterly unique.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt hit me on so many levels. It spoke to the anger I had as a young punk, my sense that I was trapped in a dog-eat-dog world of relentless capitalist competition, my alienation from the broader society. 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Step to the front the falling is today\". - Ben Sizemore\u003c\/span\u003e\u003c\/p\u003e","brand":"MIDHEAVEN","offers":[{"title":"Default Title","offer_id":32227905175618,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3432\/8130\/products\/a0600680537_10.jpg?v=1605115471"},{"product_id":"obsessed-the-sacred-limited-gold-pressing","title":"The Obsessed - Sacred","description":"\u003cp\u003e\u003cspan\u003eDoom godfathers THE OBSESSED return with Sacred, their first studio album in over 20 years. Led by legendary frontman Scott \"Wino\" Weinrich (Saint Vitus, Spirit Caravan, The Hidden Hand, etc.), THE OBSESSED originally formed in 1976 and released three seminal stoner \/ doom albums in the early 90's, including The Church Within which has been hailed as one of the important records in the genre's history. 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